![]() Place, publisher, year, edition, pagesAmsterdam: Frame Publishers, 2018. and, it was inevitable that I had to return to the Arcades, not just because Benjamin meticulously objectified the glass and iron arcades as method and catalyst of research, but because, to me, ‘greenhouse’ does precede, and succeed, the arcades themselves as display and index of what was, and is to become of ‘natural history.’ For 'Legacy' I share excerpts of an interview (soon to be published entirely) that started at the Harvard Co-op in 2016 a conversation that continues to this day, by way of intermittent emails and other correspondence. ![]() ![]() I therefore turn to Arcades translator, and Benjamin scholar, Howard Eiland. But – as much as that desire may be attune with Benjamin’s own commitment to bringing the past forth to the present – I can’t. I’ve wanted to talk to Walter Benjamin ever since encountering his Arcades Project. 234-239 Chapter in book (Other (popular science, discussion, etc.)) Abstract 2018 (English) In: Legacy: Generations of Creatives in Dialogue / Lukas Feireiss, Amsterdam: Frame Publishers, 2018, p. ![]()
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